In a band situation, musicians can often feel tied to their instrument, microphone or both, making it hard for them to move around and “get in position” when they need to sign or hit certain cues. Having worked as a theater tech for several years, I can tell you that they do come in handy in a variety of situations and are sometimes essential. Headset microphones share some of the same problems handheld wireless microphones do.īut this isn’t to scare you away from headset mics at all. Then come wireless microphones, which typically sound great, but might have dropout or interference issues. In a very general sense, traditional wired microphones tend to offer the best sound overall. Why Use A Headset Microphone As A Singer Or Preacher? If you want to take it a step further, you can always take your questions to the forums and see what others have had to say about the mic you’re interested in buying. But you should be able to find something that suits your needs. Customer reviews can be especially helpful, though sometimes you can be derailed by polarization – a mix of great reviews and a few poor ones could end up confusing you.įrankly, there’s no such thing as a perfect product.
I think it’s worth taking some time to scan the reviews to determine what you’re getting into. Reviews aren’t always reliable, but these days there are plenty of places you can go to look at product reviews, whether it’s Amazon, a tech site, a music blog or otherwise. Good Reviews Of The Wireless Microphone Headset
If you’re able to take breaks in between, then it’s not such a big deal as you can swap out batteries in a matter of seconds and send the performer back on stage when it’s time. If you have longer church services or conferences where performers must keep their microphones on for long hours without breaks, battery life is obviously going to be an important factor. But for some people this might be an important consideration. Long Battery LifeĪs with range, battery life is more dependent on the transmitter/receiver combo as opposed to the microphone itself. If you’re going to be using the mic in a medium to large venue, and there’s probably going to be some distance between the soundboard/receiver and the transmitter (as there often is), you’re going to want to ensure that there aren’t any issues with dropout or interference.įind a quality transmitter and receiver combination that is compatible with your microphone and check to see what its range is before buying it. This is going to be more dependent on the transmitter and receiver as opposed to the microphone itself, so that’s a good thing to keep in mind.īut the point is obvious. It’s best to spend where it counts, and in my opinion it’s not a bad thing to spend on comfort. Someone could easily step on a fallen mic without even noticing, and that could be all kinds of bad. You don’t want that to happen, especially if you’re going to be spending several hundred dollars on a quality mic. It could end up shifting around and even falling off. You should also be aware that if the performer wears glasses, it can be challenging to find a microphone that sits on their ear comfortably and properly. Quite a different story if the performer must wear it for two hours every Sunday morning. That may not be a big deal if the mic is only being worn by the performer for 30 minutes on occasion. ComfortĪt lower price points, you’re probably going to get mics that aren’t as comfortable to wear as premium products.
With headset mics, you basically get what you pay for, so don't forget that. So, I suggest that’s what you search for. They want something with good definition and a pleasing tonal spectrum. They don’t want boomy or brash (though you can certainly dial out those frequencies if the mic overemphasizes them). With microphones, I find people are generally looking for that elusive balance between warm and crisp. So, here are a few things I would consider if I was looking to buy a headset/headworn microphone: Quality SoundĪ quality microphone will sound great out of the box, and in the hands of a skilled audio engineer, it will sound even better.Ĭonversely, a low-quality microphone won’t sound that great out of the box and will require a lot of tweaking just to get to an “acceptable” level.Īlso remember that sound isn’t just dependent on the microphone – the sound system plays a huge role in how it all comes across too. You're probably someone that likes to carefully consider their options. There aren’t necessarily a lot of products to choose from in the headworn microphone category, but I can certainly appreciate that you don’t make buying decisions lightly.